Approaching the end of the month, the blog is due for another photo-centered post, and this one is particularly telling because images are about all there is to offer. An Indianapolis revitalization initiative announced in 2007 had two primary goals: 1) intended to introduce streetscape improvements to the Martin Luther King Drive; 2) it proposed an extension of the Central Canal Towpath, carrying it southward from its current terminus near Riverside Park down to 16th Street. While it is possible that the sour economy stalled the plan, more likely than not it was just incubating, as leaders from the Martin Luther King Business Revitalization Association and the Department of Metropolitan Development finalized details to the design. At any rate, press coverage was scant, and even the Indianapolis Business Journal archived article only seems to survive through a reference by a suburban Indianapolis mayoral candidate’s webpage.
At any rate, the two-part proposal involved spending $3.8 million in proceeds from a TIF (Tax-Increment Financing) district that had been accruing funds since its establishment in 1997 by then-Mayor Bart Peterson. The structuring differed from the usual TIF district in that revenue accrued before the planning of any clear revitalization initiative—in most cases, the redevelopment or reinvestment transpires within the district before the revenue has been collected. At its most basic, the fundamental nature of a TIF is that the anticipated increase in revenue from improved property values and commerce helps to pay off the bonds issued for the initial development. But the project explored under this TIF district has clearly experienced delays since the initial announcement. At long last, city officials broke ground earlier this spring on the MLK improvements , covering about 10 blocks in one of the most densely populated portions of the corridor, running through the heart of the United Northwest Association’s neighborhood. The map below illustrates the series of plans proposed for the area:
The area outlined in blue indicates the streetscape improvements for Martin Luther King Drive, currently underway. The area in green indicates the proposed extension of the Central Canal Towpath from its current terminus at 30th Street to its new location at 16th Street, for which little information regarding the proposed extension seems to be available. My focus, however, with this photo montage is on neither of the aforementioned proposals. Rather, I wanted to explore the unresolved lacuna that will remain, even after the Canal Towpath benefits from an extension southward from 30th to 16th. That is, I hoped to explore the no-man’s land between 16th street and the current terminus of the Indianapolis Canal Walk, at 11th Street. I’ve featured several blog posts in the past on the Canal Walk, for which I am not entirely complimentary, but I generally can at least appreciate that the 11th Street terminus at the recently restored Buggs Temple (to the center-right in the below photo) offers some decent vistas and a handsome waterfront hardscape.
But a satellite view of that same area circled in red shows the immense challenges facing any attempt to revitalize or beautify the stretch of the Canal from between 11th and 16th Streets.
In short, the Canal isn’t there. It has been undergrounded to make way for the spaghetti junction of exit ramps at the point where Interstate 65 curves from an east-west trajectory to resume its typical north-south path. My goal with the photos below is to show the northernmost end of the Canal Walk, at the 11th Street locks, pressing northward to reveal the urban environment which has supplanted much of this segment of the Canal. Let’s start at the locks, which at this point are more of a decorative feature signaling the end of the Canal Walk than an actual instrument for regulating water levels.
Crossing 11th Street to stand underneath the Clarian People Mover, the gates to the locks are visible in the background.
Pivoting from this position, I have tried to scan with the camera the path that the Central Canal should take as it negotiates 11th Street.
Then it would continue alongside the interstate ramp, in the grassy area with trees in the photo below.
The gentle swale here most likely captures the former path of the canal, though it is impossible for me to tell exactly where it crosses the high-speed entrance ramp onto Interstate 65, but the third photo below captures the approximate location.
At some point, the culvertized, underground canal crosses under those ramps, buried beneath a series of high-speed lanes that look like this:
And the grassy swale continues on the other side behind a chain link fence.
The following photos are visible while traveling along Martin Luther King Drive, and they form the back yard to some puzzling condos that I blogged about last year.
At this point, the swale—the only remnant of the Canal—is plainly visible.
The bridge that is visible in the final of the three above photos leads directly to the intersection of 16th Street and Martin Luther King Drive, which at this point will comprise the southern terminus of the Canal Towpath extension, whenever it is completed. Judging from the photos below, the intersection only stands to benefit from the introduction of new pedestrian amenities.
Looking northward of the 16th Street/MLK intersection, one can see more of the grassy swale which, in this instance, will ideally be reverted to a canal with the towpath at some point. Clearly $3.8 million in TIF money would hardly cover the cost to unearth the canal and add a parallel trail, but at least the contours of the land already hint at an eventual vision of an uninterrupted canal. Here’s the view:
And just beyond the barrier seen in the distance here is the canal—a portion that remains exposed to the sun and generally ignored by the public.
(Note: The above photo series was taken in the late summer of 2009. Since that point, the Glick Eye Institute has experienced considerable construction progress at 16th and Martin Luther King, and will most likely engender some modest pedestrian improvements at the intersection.)
This crude sampling of urban archaeology effectively demonstrates the enormous investment that a City such as Indianapolis was willing to incur decades ago, when it decided that one mode of transportation (car/road) had unambiguously fostered the obsolescence of another (boat/canal). The Indianapolis Central Canal was never a success, and it nearly bankrupted the state when it was first implemented 150 years ago. But its curiosity lingers—so much that artists’ renderings have devised fanciful proposals that actually envision a daylighted canal and towpath, extending underneath the interstate to link 16th street with 11th. For example, the shelved “Circle Truss” proposal from a few years back clearly envisioned an uninterrupted Canal Walk passing under the interstate, manifested in the renderings here, from the Urbanophile’s web link.
Whether the public would ever support the phenomenal expense for this final leg—circles circled in red in my above maps—is anyone’s guess, but the fact that visions exist for such a plan shows the enduring power of introducing water to urban revitalization proposals. My own opinion is that the extension of a path along the canal easement to link 16th and 11th streets would be costly but feasible, and would elicit a high return on investment by creating an uninterrupted greenway that significantly enhances the pedestrian network for the city’s near north side. However, unearthing the buried canal in this stretch may prove far too challenging and troublesome to justify the enormous cost. But big-city redevelopment initiatives over the past thirty years prove that we venerate water much more than we did in the mid 19th Century—the era of urban interstates—so I would hardly rule anything out. Like the Canal Walk itself, improvements should be incremental and perpetual, avoiding any collective complacency that normally accompanies the sensation of having reached a long-awaited goal. Regardless of the outcome of the TIF initiatives on Indianapolis’ near northwest side, the investments will most likely prove but a small component of an unceasing work in progress.
Pioneering waterfronts: extending the Indianapolis Canal Walk.
Approaching the end of the month, the blog is due for another photo-centered post, and this one is particularly telling because images are about all there is to offer. An Indianapolis revitalization initiative announced in 2007 had two primary goals: 1) intended to introduce streetscape improvements to the Martin Luther King Drive; 2) it proposed an extension of the Central Canal Towpath, carrying it southward from its current terminus near Riverside Park down to 16th Street. While it is possible that the sour economy stalled the plan, more likely than not it was just incubating, as leaders from the Martin Luther King Business Revitalization Association and the Department of Metropolitan Development finalized details to the design. At any rate, press coverage was scant, and even the Indianapolis Business Journal archived article only seems to survive through a reference by a suburban Indianapolis mayoral candidate’s webpage.
At any rate, the two-part proposal involved spending $3.8 million in proceeds from a TIF (Tax-Increment Financing) district that had been accruing funds since its establishment in 1997 by then-Mayor Bart Peterson. The structuring differed from the usual TIF district in that revenue accrued before the planning of any clear revitalization initiative—in most cases, the redevelopment or reinvestment transpires within the district before the revenue has been collected. At its most basic, the fundamental nature of a TIF is that the anticipated increase in revenue from improved property values and commerce helps to pay off the bonds issued for the initial development. But the project explored under this TIF district has clearly experienced delays since the initial announcement. At long last, city officials broke ground earlier this spring on the MLK improvements , covering about 10 blocks in one of the most densely populated portions of the corridor, running through the heart of the United Northwest Association’s neighborhood. The map below illustrates the series of plans proposed for the area:
The area outlined in blue indicates the streetscape improvements for Martin Luther King Drive, currently underway. The area in green indicates the proposed extension of the Central Canal Towpath from its current terminus at 30th Street to its new location at 16th Street, for which little information regarding the proposed extension seems to be available. My focus, however, with this photo montage is on neither of the aforementioned proposals. Rather, I wanted to explore the unresolved lacuna that will remain, even after the Canal Towpath benefits from an extension southward from 30th to 16th. That is, I hoped to explore the no-man’s land between 16th street and the current terminus of the Indianapolis Canal Walk, at 11th Street. I’ve featured several blog posts in the past on the Canal Walk, for which I am not entirely complimentary, but I generally can at least appreciate that the 11th Street terminus at the recently restored Buggs Temple (to the center-right in the below photo) offers some decent vistas and a handsome waterfront hardscape.
But a satellite view of that same area circled in red shows the immense challenges facing any attempt to revitalize or beautify the stretch of the Canal from between 11th and 16th Streets.
In short, the Canal isn’t there. It has been undergrounded to make way for the spaghetti junction of exit ramps at the point where Interstate 65 curves from an east-west trajectory to resume its typical north-south path. My goal with the photos below is to show the northernmost end of the Canal Walk, at the 11th Street locks, pressing northward to reveal the urban environment which has supplanted much of this segment of the Canal. Let’s start at the locks, which at this point are more of a decorative feature signaling the end of the Canal Walk than an actual instrument for regulating water levels.
Crossing 11th Street to stand underneath the Clarian People Mover, the gates to the locks are visible in the background.
Pivoting from this position, I have tried to scan with the camera the path that the Central Canal should take as it negotiates 11th Street.
Then it would continue alongside the interstate ramp, in the grassy area with trees in the photo below.
The gentle swale here most likely captures the former path of the canal, though it is impossible for me to tell exactly where it crosses the high-speed entrance ramp onto Interstate 65, but the third photo below captures the approximate location.
At some point, the culvertized, underground canal crosses under those ramps, buried beneath a series of high-speed lanes that look like this:
And the grassy swale continues on the other side behind a chain link fence.
The following photos are visible while traveling along Martin Luther King Drive, and they form the back yard to some puzzling condos that I blogged about last year.
At this point, the swale—the only remnant of the Canal—is plainly visible.
The bridge that is visible in the final of the three above photos leads directly to the intersection of 16th Street and Martin Luther King Drive, which at this point will comprise the southern terminus of the Canal Towpath extension, whenever it is completed. Judging from the photos below, the intersection only stands to benefit from the introduction of new pedestrian amenities.
Looking northward of the 16th Street/MLK intersection, one can see more of the grassy swale which, in this instance, will ideally be reverted to a canal with the towpath at some point. Clearly $3.8 million in TIF money would hardly cover the cost to unearth the canal and add a parallel trail, but at least the contours of the land already hint at an eventual vision of an uninterrupted canal. Here’s the view:
And just beyond the barrier seen in the distance here is the canal—a portion that remains exposed to the sun and generally ignored by the public.
(Note: The above photo series was taken in the late summer of 2009. Since that point, the Glick Eye Institute has experienced considerable construction progress at 16th and Martin Luther King, and will most likely engender some modest pedestrian improvements at the intersection.)
This crude sampling of urban archaeology effectively demonstrates the enormous investment that a City such as Indianapolis was willing to incur decades ago, when it decided that one mode of transportation (car/road) had unambiguously fostered the obsolescence of another (boat/canal). The Indianapolis Central Canal was never a success, and it nearly bankrupted the state when it was first implemented 150 years ago. But its curiosity lingers—so much that artists’ renderings have devised fanciful proposals that actually envision a daylighted canal and towpath, extending underneath the interstate to link 16th street with 11th. For example, the shelved “Circle Truss” proposal from a few years back clearly envisioned an uninterrupted Canal Walk passing under the interstate, manifested in the renderings here, from the Urbanophile’s web link.
Whether the public would ever support the phenomenal expense for this final leg—circles circled in red in my above maps—is anyone’s guess, but the fact that visions exist for such a plan shows the enduring power of introducing water to urban revitalization proposals. My own opinion is that the extension of a path along the canal easement to link 16th and 11th streets would be costly but feasible, and would elicit a high return on investment by creating an uninterrupted greenway that significantly enhances the pedestrian network for the city’s near north side. However, unearthing the buried canal in this stretch may prove far too challenging and troublesome to justify the enormous cost. But big-city redevelopment initiatives over the past thirty years prove that we venerate water much more than we did in the mid 19th Century—the era of urban interstates—so I would hardly rule anything out. Like the Canal Walk itself, improvements should be incremental and perpetual, avoiding any collective complacency that normally accompanies the sensation of having reached a long-awaited goal. Regardless of the outcome of the TIF initiatives on Indianapolis’ near northwest side, the investments will most likely prove but a small component of an unceasing work in progress.
At any rate, the two-part proposal involved spending $3.8 million in proceeds from a TIF (Tax-Increment Financing) district that had been accruing funds since its establishment in 1997 by then-Mayor Bart Peterson. The structuring differed from the usual TIF district in that revenue accrued before the planning of any clear revitalization initiative—in most cases, the redevelopment or reinvestment transpires within the district before the revenue has been collected. At its most basic, the fundamental nature of a TIF is that the anticipated increase in revenue from improved property values and commerce helps to pay off the bonds issued for the initial development. But the project explored under this TIF district has clearly experienced delays since the initial announcement. At long last, city officials broke ground earlier this spring on the MLK improvements , covering about 10 blocks in one of the most densely populated portions of the corridor, running through the heart of the United Northwest Association’s neighborhood. The map below illustrates the series of plans proposed for the area:
The area outlined in blue indicates the streetscape improvements for Martin Luther King Drive, currently underway. The area in green indicates the proposed extension of the Central Canal Towpath from its current terminus at 30th Street to its new location at 16th Street, for which little information regarding the proposed extension seems to be available. My focus, however, with this photo montage is on neither of the aforementioned proposals. Rather, I wanted to explore the unresolved lacuna that will remain, even after the Canal Towpath benefits from an extension southward from 30th to 16th. That is, I hoped to explore the no-man’s land between 16th street and the current terminus of the Indianapolis Canal Walk, at 11th Street. I’ve featured several blog posts in the past on the Canal Walk, for which I am not entirely complimentary, but I generally can at least appreciate that the 11th Street terminus at the recently restored Buggs Temple (to the center-right in the below photo) offers some decent vistas and a handsome waterfront hardscape.
But a satellite view of that same area circled in red shows the immense challenges facing any attempt to revitalize or beautify the stretch of the Canal from between 11th and 16th Streets.
In short, the Canal isn’t there. It has been undergrounded to make way for the spaghetti junction of exit ramps at the point where Interstate 65 curves from an east-west trajectory to resume its typical north-south path. My goal with the photos below is to show the northernmost end of the Canal Walk, at the 11th Street locks, pressing northward to reveal the urban environment which has supplanted much of this segment of the Canal. Let’s start at the locks, which at this point are more of a decorative feature signaling the end of the Canal Walk than an actual instrument for regulating water levels.
Crossing 11th Street to stand underneath the Clarian People Mover, the gates to the locks are visible in the background.
Pivoting from this position, I have tried to scan with the camera the path that the Central Canal should take as it negotiates 11th Street.
Then it would continue alongside the interstate ramp, in the grassy area with trees in the photo below.
The gentle swale here most likely captures the former path of the canal, though it is impossible for me to tell exactly where it crosses the high-speed entrance ramp onto Interstate 65, but the third photo below captures the approximate location.
At some point, the culvertized, underground canal crosses under those ramps, buried beneath a series of high-speed lanes that look like this:
And the grassy swale continues on the other side behind a chain link fence.
The following photos are visible while traveling along Martin Luther King Drive, and they form the back yard to some puzzling condos that I blogged about last year.
At this point, the swale—the only remnant of the Canal—is plainly visible.
The bridge that is visible in the final of the three above photos leads directly to the intersection of 16th Street and Martin Luther King Drive, which at this point will comprise the southern terminus of the Canal Towpath extension, whenever it is completed. Judging from the photos below, the intersection only stands to benefit from the introduction of new pedestrian amenities.
Looking northward of the 16th Street/MLK intersection, one can see more of the grassy swale which, in this instance, will ideally be reverted to a canal with the towpath at some point. Clearly $3.8 million in TIF money would hardly cover the cost to unearth the canal and add a parallel trail, but at least the contours of the land already hint at an eventual vision of an uninterrupted canal. Here’s the view:
And just beyond the barrier seen in the distance here is the canal—a portion that remains exposed to the sun and generally ignored by the public.
(Note: The above photo series was taken in the late summer of 2009. Since that point, the Glick Eye Institute has experienced considerable construction progress at 16th and Martin Luther King, and will most likely engender some modest pedestrian improvements at the intersection.)
This crude sampling of urban archaeology effectively demonstrates the enormous investment that a City such as Indianapolis was willing to incur decades ago, when it decided that one mode of transportation (car/road) had unambiguously fostered the obsolescence of another (boat/canal). The Indianapolis Central Canal was never a success, and it nearly bankrupted the state when it was first implemented 150 years ago. But its curiosity lingers—so much that artists’ renderings have devised fanciful proposals that actually envision a daylighted canal and towpath, extending underneath the interstate to link 16th street with 11th. For example, the shelved “Circle Truss” proposal from a few years back clearly envisioned an uninterrupted Canal Walk passing under the interstate, manifested in the renderings here, from the Urbanophile’s web link.
Whether the public would ever support the phenomenal expense for this final leg—circles circled in red in my above maps—is anyone’s guess, but the fact that visions exist for such a plan shows the enduring power of introducing water to urban revitalization proposals. My own opinion is that the extension of a path along the canal easement to link 16th and 11th streets would be costly but feasible, and would elicit a high return on investment by creating an uninterrupted greenway that significantly enhances the pedestrian network for the city’s near north side. However, unearthing the buried canal in this stretch may prove far too challenging and troublesome to justify the enormous cost. But big-city redevelopment initiatives over the past thirty years prove that we venerate water much more than we did in the mid 19th Century—the era of urban interstates—so I would hardly rule anything out. Like the Canal Walk itself, improvements should be incremental and perpetual, avoiding any collective complacency that normally accompanies the sensation of having reached a long-awaited goal. Regardless of the outcome of the TIF initiatives on Indianapolis’ near northwest side, the investments will most likely prove but a small component of an unceasing work in progress.
Scrubbing.
As public and private forces continuously try to repel the contaminants from despoiling the fragile coastline of my temporary adopted state of Louisiana, I can only reflect upon some house cleaning that could benefit this blog. Awkward analogies aside, I always hope to improve the scope of the blog, plumbing new depths through observations of the built and natural environment—simultaneously learning from others and teaching myself. The goal remains to divorce myself from partisanship as I look at things and simply ask, "What does it mean?" As American Dirt approaches its one year anniversary, I will set aside my goals for the blog’s impending toddlerhood:
1) Refinement of earlier posts. In a matter of weeks, you will see repeats of earlier essays—not out of laziness, though I most likely will time these re-runs for moments when I’m particularly busy. Rather, they will always be improvements of writing from before, whether it involves an interview, additional research, or recommendations/observations from the commenters.
2) Greater geographic diversity. I have had people ask if I will ever feature essays outside of the US. I deliberately wanted this to remain an American commentary, so I see that as highly unlikely—and the ground here in the States remains so fertile that I rarely if ever need to look overseas. I may reference observations from trips abroad, or from research that derives from foreign sources, but my goal is for this to remain an American blog. However, I do hope to show a greater geographic spread. Right now the American West is particularly underrepresented, which is more a product of having not traveled there much lately. I am bound to get a western blog post before too long. Indianapolis will remain the hub and will probably dominate the posts, though, as has been clear lately, I have strayed from Indy-based posts lately, mostly out of necessity.
3) Improved photography. This may be my biggest challenge. Clearly I’m not a pro photographer, nor do I have a state-of-the-art camera, and I’ve always wrestled with how much I want to instill artistry into my camera work. For truly distinctive urban photography, look no further than The Heidelberger Papers, whose blogger has also recently expanded his focus to cities well beyond Indianapolis. And Huston Street Racing deftly chronicles urban issues with a much more sophisticated lens than I can hope for. Photography is critical to my blog, but the blog will never elevate photography to the primary focus—as much as I try to improve photos through settings, shutter speed, and framing, far too many of my pics are taken spontaneously, often on the sly, and using an only moderately precise cell phone camera. I will let the readers of the blog know if I have a certain post that emphasizes photography first. And in spite of my often crude photos, I am already getting to the point where I have to be conscious of maxing out the available disc space for my blog. Chances are I will have to shrink the sizes of photos from my early posts, since they were inordinately large.
4) More clearly articulated themes. Aside from the “Terra Firma” sidebar, which is working pretty effectively, I want more of a rhythm to my posts, and I want them to be more obvious. Each month I try to do one photo montage but I don’t quite announce it. It should soon become clear. I may also soon start featuring guest posts, sometimes with a “Point-Counterpoint” approach. I will always make clear when, on occasion, I feature guest photographs, as I already have in the past.
5) More short posts. My early posts were monsters, sometimes totaling over 10,000 words. I was frustrated with so few responses, but I deserved it. Now if I have a long post I usually break it into parts, and I will try to feature many more brief posts as well, often with only one or two pics. (These may be the ones where the emphasis is the photography itself.) Most of my posts average about 1,200 words, and 2,000 has become the understood breaking point. I’ll try to make it abundantly clear whenever I have a mega-post and again will divide it into smaller parts.
Clearly the ultimate goal of all these refinements is to further foster discussion and feedback. I appreciate all the response in the past, and welcome your further recommendations for keeping this labor of love going strong. Thanks again.
1) Refinement of earlier posts. In a matter of weeks, you will see repeats of earlier essays—not out of laziness, though I most likely will time these re-runs for moments when I’m particularly busy. Rather, they will always be improvements of writing from before, whether it involves an interview, additional research, or recommendations/observations from the commenters.
2) Greater geographic diversity. I have had people ask if I will ever feature essays outside of the US. I deliberately wanted this to remain an American commentary, so I see that as highly unlikely—and the ground here in the States remains so fertile that I rarely if ever need to look overseas. I may reference observations from trips abroad, or from research that derives from foreign sources, but my goal is for this to remain an American blog. However, I do hope to show a greater geographic spread. Right now the American West is particularly underrepresented, which is more a product of having not traveled there much lately. I am bound to get a western blog post before too long. Indianapolis will remain the hub and will probably dominate the posts, though, as has been clear lately, I have strayed from Indy-based posts lately, mostly out of necessity.
3) Improved photography. This may be my biggest challenge. Clearly I’m not a pro photographer, nor do I have a state-of-the-art camera, and I’ve always wrestled with how much I want to instill artistry into my camera work. For truly distinctive urban photography, look no further than The Heidelberger Papers, whose blogger has also recently expanded his focus to cities well beyond Indianapolis. And Huston Street Racing deftly chronicles urban issues with a much more sophisticated lens than I can hope for. Photography is critical to my blog, but the blog will never elevate photography to the primary focus—as much as I try to improve photos through settings, shutter speed, and framing, far too many of my pics are taken spontaneously, often on the sly, and using an only moderately precise cell phone camera. I will let the readers of the blog know if I have a certain post that emphasizes photography first. And in spite of my often crude photos, I am already getting to the point where I have to be conscious of maxing out the available disc space for my blog. Chances are I will have to shrink the sizes of photos from my early posts, since they were inordinately large.
4) More clearly articulated themes. Aside from the “Terra Firma” sidebar, which is working pretty effectively, I want more of a rhythm to my posts, and I want them to be more obvious. Each month I try to do one photo montage but I don’t quite announce it. It should soon become clear. I may also soon start featuring guest posts, sometimes with a “Point-Counterpoint” approach. I will always make clear when, on occasion, I feature guest photographs, as I already have in the past.
5) More short posts. My early posts were monsters, sometimes totaling over 10,000 words. I was frustrated with so few responses, but I deserved it. Now if I have a long post I usually break it into parts, and I will try to feature many more brief posts as well, often with only one or two pics. (These may be the ones where the emphasis is the photography itself.) Most of my posts average about 1,200 words, and 2,000 has become the understood breaking point. I’ll try to make it abundantly clear whenever I have a mega-post and again will divide it into smaller parts.
Clearly the ultimate goal of all these refinements is to further foster discussion and feedback. I appreciate all the response in the past, and welcome your further recommendations for keeping this labor of love going strong. Thanks again.
Scrubbing.
As public and private forces continuously try to repel the contaminants from despoiling the fragile coastline of my temporary adopted state of Louisiana, I can only reflect upon some house cleaning that could benefit this blog. Awkward analogies aside, I always hope to improve the scope of the blog, plumbing new depths through observations of the built and natural environment—simultaneously learning from others and teaching myself. The goal remains to divorce myself from partisanship as I look at things and simply ask, "What does it mean?" As American Dirt approaches its one year anniversary, I will set aside my goals for the blog’s impending toddlerhood:
1) Refinement of earlier posts. In a matter of weeks, you will see repeats of earlier essays—not out of laziness, though I most likely will time these re-runs for moments when I’m particularly busy. Rather, they will always be improvements of writing from before, whether it involves an interview, additional research, or recommendations/observations from the commenters.
2) Greater geographic diversity. I have had people ask if I will ever feature essays outside of the US. I deliberately wanted this to remain an American commentary, so I see that as highly unlikely—and the ground here in the States remains so fertile that I rarely if ever need to look overseas. I may reference observations from trips abroad, or from research that derives from foreign sources, but my goal is for this to remain an American blog. However, I do hope to show a greater geographic spread. Right now the American West is particularly underrepresented, which is more a product of having not traveled there much lately. I am bound to get a western blog post before too long. Indianapolis will remain the hub and will probably dominate the posts, though, as has been clear lately, I have strayed from Indy-based posts lately, mostly out of necessity.
3) Improved photography. This may be my biggest challenge. Clearly I’m not a pro photographer, nor do I have a state-of-the-art camera, and I’ve always wrestled with how much I want to instill artistry into my camera work. For truly distinctive urban photography, look no further than The Heidelberger Papers, whose blogger has also recently expanded his focus to cities well beyond Indianapolis. And Huston Street Racing deftly chronicles urban issues with a much more sophisticated lens than I can hope for. Photography is critical to my blog, but the blog will never elevate photography to the primary focus—as much as I try to improve photos through settings, shutter speed, and framing, far too many of my pics are taken spontaneously, often on the sly, and using an only moderately precise cell phone camera. I will let the readers of the blog know if I have a certain post that emphasizes photography first. And in spite of my often crude photos, I am already getting to the point where I have to be conscious of maxing out the available disc space for my blog. Chances are I will have to shrink the sizes of photos from my early posts, since they were inordinately large.
4) More clearly articulated themes. Aside from the “Terra Firma” sidebar, which is working pretty effectively, I want more of a rhythm to my posts, and I want them to be more obvious. Each month I try to do one photo montage but I don’t quite announce it. It should soon become clear. I may also soon start featuring guest posts, sometimes with a “Point-Counterpoint” approach. I will always make clear when, on occasion, I feature guest photographs, as I already have in the past.
5) More short posts. My early posts were monsters, sometimes totaling over 10,000 words. I was frustrated with so few responses, but I deserved it. Now if I have a long post I usually break it into parts, and I will try to feature many more brief posts as well, often with only one or two pics. (These may be the ones where the emphasis is the photography itself.) Most of my posts average about 1,200 words, and 2,000 has become the understood breaking point. I’ll try to make it abundantly clear whenever I have a mega-post and again will divide it into smaller parts.
Clearly the ultimate goal of all these refinements is to further foster discussion and feedback. I appreciate all the response in the past, and welcome your further recommendations for keeping this labor of love going strong. Thanks again.
1) Refinement of earlier posts. In a matter of weeks, you will see repeats of earlier essays—not out of laziness, though I most likely will time these re-runs for moments when I’m particularly busy. Rather, they will always be improvements of writing from before, whether it involves an interview, additional research, or recommendations/observations from the commenters.
2) Greater geographic diversity. I have had people ask if I will ever feature essays outside of the US. I deliberately wanted this to remain an American commentary, so I see that as highly unlikely—and the ground here in the States remains so fertile that I rarely if ever need to look overseas. I may reference observations from trips abroad, or from research that derives from foreign sources, but my goal is for this to remain an American blog. However, I do hope to show a greater geographic spread. Right now the American West is particularly underrepresented, which is more a product of having not traveled there much lately. I am bound to get a western blog post before too long. Indianapolis will remain the hub and will probably dominate the posts, though, as has been clear lately, I have strayed from Indy-based posts lately, mostly out of necessity.
3) Improved photography. This may be my biggest challenge. Clearly I’m not a pro photographer, nor do I have a state-of-the-art camera, and I’ve always wrestled with how much I want to instill artistry into my camera work. For truly distinctive urban photography, look no further than The Heidelberger Papers, whose blogger has also recently expanded his focus to cities well beyond Indianapolis. And Huston Street Racing deftly chronicles urban issues with a much more sophisticated lens than I can hope for. Photography is critical to my blog, but the blog will never elevate photography to the primary focus—as much as I try to improve photos through settings, shutter speed, and framing, far too many of my pics are taken spontaneously, often on the sly, and using an only moderately precise cell phone camera. I will let the readers of the blog know if I have a certain post that emphasizes photography first. And in spite of my often crude photos, I am already getting to the point where I have to be conscious of maxing out the available disc space for my blog. Chances are I will have to shrink the sizes of photos from my early posts, since they were inordinately large.
4) More clearly articulated themes. Aside from the “Terra Firma” sidebar, which is working pretty effectively, I want more of a rhythm to my posts, and I want them to be more obvious. Each month I try to do one photo montage but I don’t quite announce it. It should soon become clear. I may also soon start featuring guest posts, sometimes with a “Point-Counterpoint” approach. I will always make clear when, on occasion, I feature guest photographs, as I already have in the past.
5) More short posts. My early posts were monsters, sometimes totaling over 10,000 words. I was frustrated with so few responses, but I deserved it. Now if I have a long post I usually break it into parts, and I will try to feature many more brief posts as well, often with only one or two pics. (These may be the ones where the emphasis is the photography itself.) Most of my posts average about 1,200 words, and 2,000 has become the understood breaking point. I’ll try to make it abundantly clear whenever I have a mega-post and again will divide it into smaller parts.
Clearly the ultimate goal of all these refinements is to further foster discussion and feedback. I appreciate all the response in the past, and welcome your further recommendations for keeping this labor of love going strong. Thanks again.
For economic development, is design the tail that wags the dog?
The blogosphere is filled with arguments and examples of how good design can add to the intrinsic value to a building. I’ve avoided such assertions myself, partially because I am not as well-versed in design as many others out there, and largely because I’ve never believed it to be true. So much of what comprises good design today is imbued with an exhaustive self-awareness: not just the designer’s personalized aesthetic language, but the overt references to whatever design tenets are en vogue. The cultural principles that underlie both of these aspirations will inevitably fall out of favor over time—and again, X years later, will most likely experience a resurgence in popularity when the vernacular evokes nostalgia for a particular time period. Such is the cyclical life of a region of individual taste. Thanks to its extreme consciousness of itself, architecture is virtually always meta-architecture—perpetually attuned to the cultural shifts upon which it cannot avoid commenting or outright defying.
So now is just as good of a time as any for me to capitulate—to welch on the design disinterestedness I’ve aspired to for so long in this blog. I have to face the facts. I just love the building in the photograph below!
The S.S. Pierce Building anchors one corner at the heart of Coolidge Corner, an old streetcar neighborhood within the larger City of Brookline, which is itself an affluent suburb just west of Boston. Built in 1897 to house retail and offices for a respected local grocer of the same name, the building is an unabashed example of Tudor Revival, and its organic warmth offers a distinctive contrast from the other structures at this intersection and the surrounding area, such as the Art Deco accents on the building directly across the street.
The comparative height of the building and its timber framing instill it with an unusual, somewhat paradoxical combination of assertiveness and warmth. View it from the façade along Beacon Street to witness how the pitched roof and organic framing material help to mitigate and soften its intended majesty.
Since nearly every other structure in the commercial heart of Coolidge Corner depends almost exclusively on stone or brick—but hardly ever both simultaneously—the S. S. Pierce Building stands out enough to function almost as a landmark. It comes closer than anything else to embodying Coolidge Corner. Whether the building passes muster among the most erudite design scholars is neither here nor there; the fact remains that it catches the attention and diminishes the implicit egalitarianism of a perpendicular intersection—this corner is by almost all metrics the most prominent of the four. It’s the implied center. Considering its stature within this already desirable, pedestrian friendly retail node, it should command an equally lucrative retail mix, right? Perhaps some multi-story department store of premier fashion?
Hardly. Its two first-floor tenants are run-of-the-mill discount national chains. Does this defy expected retail sensibilities? Maybe, if one adheres to the notion that prestigious design attracts prestigious tenants. But conventional retail patterns do not always abide by the ambitions of urban idealists. Corners are always particularly pricy real estate, for the obvious reason of visibility, so it isn’t surprising that national chains with deep pockets would more likely be able to afford the rents than an eclectic local name. Even the tenant one storefront away from the corner undoubtedly pays less for the lease, and in the photograph below it’s a mom-and-pop…
. . .which, incidentally, had closed. The fact remains that it is impossible to calibrate exactly what a structure will house simply through its external appearance. The enduring majesty of the structure might make seem to make it valuable, but the convenient location more than anything ensures that it will rarely confront vacancy. Imagine if the structure sat on a corner in the distressed Roxbury neighborhood of Boston, less than three miles away. It very well could be shuttered on the upper floors with a Payday loan store below; it may still have a Walgreen with significantly higher security; it may have been abandoned and demolished decades ago. My guess is the property manager of the S. S. Pierce Building is perfectly content with these two reliable tenants. A moneyed suburb like Brookline may hope for a slightly more interesting retail mix to reflect the high education and income levels of its consumer base, but when an intersection becomes too prominent, the big names are often the only ones that can afford it. Notice that the other corners also had major brands and franchises: AT&T, Quizno’s, Bank of America, the inevitable CVS (the ubiquitous war between Walgreens and CVS deserves an entirely different blog post). Smaller buildings along Beacon Street and Harvard Street still claim some local retail, but, the big-spending milieu greatly resembles Harvard Square in the nearby suburb of Cambridge (which I blogged about months ago). In both cases, the combination of foot traffic, major transit stops, pedestrian scaled architecture, and high incomes results in a economic development director’s Elysian fields—and a morass of retail volatility.
I’d be willing to venture that Radio Shack and Walgreens are among the most stable elements in Coolidge Corner, while many of the humbler tenants come and go every few years. All too often in the past I’ve witnessed community meetings in which planners lead the constituents to envision both the structures they’d like to see in their neighborhoods, as well as the tenants they hope to inhabit those structures. Aspirational dialogues stimulate creative juices and I would never discourage them, but Coolidge Corner is just one example of many where most or all of the carefully calibrated design elements have come into play marvelously, and the result is a continued demand for further calibration. The dog still wags its tail.
So now is just as good of a time as any for me to capitulate—to welch on the design disinterestedness I’ve aspired to for so long in this blog. I have to face the facts. I just love the building in the photograph below!
The S.S. Pierce Building anchors one corner at the heart of Coolidge Corner, an old streetcar neighborhood within the larger City of Brookline, which is itself an affluent suburb just west of Boston. Built in 1897 to house retail and offices for a respected local grocer of the same name, the building is an unabashed example of Tudor Revival, and its organic warmth offers a distinctive contrast from the other structures at this intersection and the surrounding area, such as the Art Deco accents on the building directly across the street.
The comparative height of the building and its timber framing instill it with an unusual, somewhat paradoxical combination of assertiveness and warmth. View it from the façade along Beacon Street to witness how the pitched roof and organic framing material help to mitigate and soften its intended majesty.
Since nearly every other structure in the commercial heart of Coolidge Corner depends almost exclusively on stone or brick—but hardly ever both simultaneously—the S. S. Pierce Building stands out enough to function almost as a landmark. It comes closer than anything else to embodying Coolidge Corner. Whether the building passes muster among the most erudite design scholars is neither here nor there; the fact remains that it catches the attention and diminishes the implicit egalitarianism of a perpendicular intersection—this corner is by almost all metrics the most prominent of the four. It’s the implied center. Considering its stature within this already desirable, pedestrian friendly retail node, it should command an equally lucrative retail mix, right? Perhaps some multi-story department store of premier fashion?
Hardly. Its two first-floor tenants are run-of-the-mill discount national chains. Does this defy expected retail sensibilities? Maybe, if one adheres to the notion that prestigious design attracts prestigious tenants. But conventional retail patterns do not always abide by the ambitions of urban idealists. Corners are always particularly pricy real estate, for the obvious reason of visibility, so it isn’t surprising that national chains with deep pockets would more likely be able to afford the rents than an eclectic local name. Even the tenant one storefront away from the corner undoubtedly pays less for the lease, and in the photograph below it’s a mom-and-pop…
. . .which, incidentally, had closed. The fact remains that it is impossible to calibrate exactly what a structure will house simply through its external appearance. The enduring majesty of the structure might make seem to make it valuable, but the convenient location more than anything ensures that it will rarely confront vacancy. Imagine if the structure sat on a corner in the distressed Roxbury neighborhood of Boston, less than three miles away. It very well could be shuttered on the upper floors with a Payday loan store below; it may still have a Walgreen with significantly higher security; it may have been abandoned and demolished decades ago. My guess is the property manager of the S. S. Pierce Building is perfectly content with these two reliable tenants. A moneyed suburb like Brookline may hope for a slightly more interesting retail mix to reflect the high education and income levels of its consumer base, but when an intersection becomes too prominent, the big names are often the only ones that can afford it. Notice that the other corners also had major brands and franchises: AT&T, Quizno’s, Bank of America, the inevitable CVS (the ubiquitous war between Walgreens and CVS deserves an entirely different blog post). Smaller buildings along Beacon Street and Harvard Street still claim some local retail, but, the big-spending milieu greatly resembles Harvard Square in the nearby suburb of Cambridge (which I blogged about months ago). In both cases, the combination of foot traffic, major transit stops, pedestrian scaled architecture, and high incomes results in a economic development director’s Elysian fields—and a morass of retail volatility.
I’d be willing to venture that Radio Shack and Walgreens are among the most stable elements in Coolidge Corner, while many of the humbler tenants come and go every few years. All too often in the past I’ve witnessed community meetings in which planners lead the constituents to envision both the structures they’d like to see in their neighborhoods, as well as the tenants they hope to inhabit those structures. Aspirational dialogues stimulate creative juices and I would never discourage them, but Coolidge Corner is just one example of many where most or all of the carefully calibrated design elements have come into play marvelously, and the result is a continued demand for further calibration. The dog still wags its tail.
Subscribe to:
Posts (Atom)